Pierre

The surprising optical effect of Pierre is the result of the alternation of two vividly contrasting geometric patterns. Striking motifs enliven the rigorous silhouette of this piece that certainly never goes unnoticed.

Looking at the remarkable body of original work created by George J. Sowden in 1981, we also discover a version of Pierre with the blocks decorating the legs in black and white rather than in colors, triggering an evocative motif of elegance and refinement. From the outset, the designer saw into the future, imagining Pierre in these two very different but also harmonious versions.

“When I arrived in Italy and met Sottsass in 1970, I could sense a sort of freedom from modernist ideology, which Memphis then proceeded to destroy completely. With Memphis I could do what I wanted, and when you can do what you want everything depends on your sensibility, your ability and creativity,” Sowden says.